|
In this gallery you can find Thai painting in the traditional style. As a country that adapts Western modernity in a rapid pace, Thailand is located in a cultural transformation, which also strongly influences the arts. While the contemporary painting according to the international influence of diverse and evolving advances rapidly, classic paintings, as the inner walls of the royal palace in Bangkok decorate, are very hard to find.
Unlike the other galleries, we offer in this gallery pictures in which a merger between the traditional ideas and modern western painting takes place. Many young Asian artists shape a new identity by combining traditional themes with modern painting. The pictures in this gallery catch with their warm shades of the local mood of life on a tropical island in Southeast Asia. The painter has deliberately selected the colors severely restricted. With a few harmonic tones, each image creates its own mood. to Modern gallery
In the following there are listed literary sources, where the interested reader can learn more about the Asian and especially the Southeast Asian art and painting:
Ramayana (Die Geschichte vom Prinzen Rama, der schönen Sita und dem Großen Affen Hanuman)
Diederichs Gelbe Reihe. Heinrich Hugendubel Verlag. 2004. München.
Die Bhadavadgita
Marix Verlag GmbH. 2006. Wiesbaden.
Kunst in Süd- und Südostasien
Verlag der Kunst Dresden. 1979.
Modern Indonesian Art (Three Generations of Tradition and Change 1945-1990)
Joseph Fischer. 1990. Singapore.
Reflections on Balinese traditional and modern Arts
Prof. R.M. Moerdowo. Udayana University. 1983. Jakarta.
Java und Bali
Ausstellung Linden Museum Stuttgart. Verlag Philipp von Zabern. Mainz.
Kunst auf Bali. Theater, Tanz, Malerei
Monika Rohrbach. Niedersächsisches Landes-Museum Hannover. 1998.
Göttliches Schattenspiel
Noto Soeroto/v. Veltheim-Ostrau. Ogham Verlag. Stuttgart.
Indonesien
DuMont Kunst-Reiseführer. Hans Helfritz. DuMont Buchverlag. 1981. Köln.
Südostasien Handbuch
Bernhard Dahm und Roderich Ptak. Beck. 1999. München.
Südostasien. Das Erbe Indiens
Reginald Le May. Magnus Verlag. 1975. Essen.
Living Traditions in Balinese Painting
Alison Taylor. 1991. Jakarta.
Different Styles of Painting in Bali
Neka Gallery Bali.
Bali, Moderne Kunst aus dem Museum Ngurah Gede Pemecutan
Achim Sibeth und Thomas Freitag. Museum für Völkerkunde. 1999. Frankfurt am Main.
The Development of Painting in Bali
1989. Neka Museum Bali.
The Art of Bali. Reflections of Faith. (The History of Painting in Batuan 1834-1994)
Klaus D. Höhn.
Kunst und Kultur in Bali
Remseyer. Museum der Kulturen. 2002. Basel.
Pesta Kesenian Bali
Museum of Bali Art Center. 1986.
Art and Crafts of Indonesia
Anne Richter. 1993. London.
Indonesian Pictures. Watercolours, Drawings and Works of Art
Christies. Amsterdam. 1996.
Bali. Götter, Geister, Gamelan. Insel zwischen Mythos und Moderne
Florian Adler u. Roland Dusik. G. Braun Verlag. 1998.
Art of Indonesia´s outer Islands. Beyond the Java Sea
Taylor, Aragon. Nationalmuseum of Natural History. 1991.Abrams New York/Washington.
Antonio Blanco. Fabulous Blanco
D.H. Dhaimeler. Blanco Fine Arts Foundation. Aneka Pasti Raya. 1983. Jakarta.
Lukisan-Lukisan. Koleksi Adam Malik
1979.
Walter Spies. Schönheit und Reichtum des Lebens
Hans Rhodius. Boucher Verlag. Den Haag.
Dance and Drama in Bali
Beryl De Zoefe & Walter Spies. Oxford University Press. 1973.
Bali 1912. Photographs and Reports
Gregor Krause.
Balinese Music
Michael Tenzer. 1991.
The Agung Rai Fine Art Gallery
1992. Bali.
Bali, a Paradise created
Adrian Vickers. 1989.
Han Snel
1993. Jakarta.
Poetric Realism. The Art of Arie Smith
Neka Museum. 1990.
Once a Century. Pura Besakih and the Eka Dasa Rudra Festival
1982. Jakarta.
A House in Bali
Colin Mc Phee.
Island of Bali
Miguel Covarrubias. 1972. Oxford.
|

The Wayang painting is the classic, original Indonesian painting. Wayang means shadow and is derived from Indonesian shadow theater Wayang Kulit. The presentation of two-dimensional, stylized figures subject to a strict iconographic order and corresponds to the representation of the leather puppets from Wayang Kulit.
The Batuan style is also a traditional style from Bali. Until the 60s picture were rather painted in the classical style: They are dark, mysterious images that emerged from traditional fables and legends with their supernatural world of forms. Encouraged by European painters such as Walter Spies, Arie Smit and Hans Snel the artists later began to present also issues of daily life. In Batuan paintings all items are reduced and reproduced. The forms are not clearly separated, and the screen is painted evenly and minimalistly. The complex images must be examined accurate at first. But then a whole narrative world will be created within an image. The viewer might get the impression that he would experience the scene from the sky or from another world, and as if a life would not be sufficient to cover all the activities of the various creatures and their worlds.